Gabriel Lichauco founded the design company Openstudio in 2005 and has since established himself as a prominent figure in the design industry. Based in Manila, Philippines, the studio primarily focuses on space design, installation, and everyday things and draws inspiration from the arts, architecture, interior design, manufacturing, and furniture design.
Spotlighting his Maya Birdhouse collection, Asia Designers Directory connects with Gabriel Lichauco to learn more about his works.
How would you describe your designs and what is your source of inspiration?
My designs are the results of my curiosity and observations which I aim to make more interesting in nature, while my inspiration comes from different sources, usually from a mix of disciplines such as material studies, craftsmanship, architecture, art and history.
Can you tell us about your latest collection?
The concept of the Maya nest happened during the pandemic, when everything was at a standstill. The absence of traffic and construction allowed birds to revisit the cities; suddenly I could hear birds chirping. I found this very refreshing and it inspired me to design and create something which involved inviting birds to commune with us, so to speak. The collection comes in three variations: a floor stand with four nests, a single nest hanging and a wall-mounted version.
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- The Maya stand by Gabriel Lichauco (Photo by Manila Fame)
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- The Maya stand by Gabriel Lichauco (Photo by Manila Fame)
You work alongside other designers and curate designs for brands. What are your considerations when bringing forth new concepts and designs?
In the last few years, I’ve been working with Rita Nazareno, the creative director of Zacarias 1925, and together we formed Nazareno/Lichauco.
We have been curating and designing collections for companies under the programme of Citem (Centre of International Trade Exposition and Missions) Philippines, since 2019. Our foremost consideration is a strong combination of contemporary aesthetic and local craftsmanship, detailed with a bit of wit.
Having exhibited in many countries, what is the one question you are frequently asked? Do you feel that more people are embracing designs and crafts from the Philippines?
Usually, visitors would ask about the materials and the process behind my designs.
I think there is a growing awareness because of the continued exposure through various trade platforms. Buyers and viewers are interested to know about the narrative behind the pieces. Because of this, understanding of the product is like an introduction to our culture and heritage. Each generation of Filipino designers and manufacturers is committed to innovating the local craft, so the industry continues to evolve positively. I believe we have exciting times ahead of us.
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- Spring Stool (Photo by Industry+)
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- Bublinca Glass collection (Photos by Spektacularis)
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- Bublinca Glass collection (Photos by Spektacularis)
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- Candy Lamps (Photos by Alamak Project)
